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| The book has recently been made into a highly acclaimed movie. |
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| This book is a sequel to The Devil's Double, which was made into a feature film of the same name. |
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| The book has recently been made into a highly acclaimed movie. |
![]() |
| This book is a sequel to The Devil's Double, which was made into a feature film of the same name. |
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| Silent ordeal: Margaret Bentham and her husband Stuart lost their £5m home |
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| Partners: Mr Bentham, left, Mr Bayat, centre, and Lord Michael, far right in Taliban-ruled Kabul in 1998 |
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| Osama bin Laden |

He shot to fame playing the romantic lead in the most successful British film of all time, but there’s a hint of menace about Dominic Cooper’s performances that could make him this generation’s most lovable Hollywood rogue, writes DONALD CLARKEIn recent years, Dominic Cooper, a dreamy Londoner with bandit eyes, has been shaping up to become the signature cad for this era. He is perhaps still best known for playing Amanda Seyfried’s boyfriend in Mamma Mia! , but he was superbly slippery as a classless conman in An Education . He did the business as an uncaring pop star in Tamara Drewe . Heck, I half expect him to swipe me across the face with a riding crop, fling me down the stairs and call me “a bally whore”. He doesn’t.
“Yes I suppose I have done a few cads,” he says. “They’re much more fun than your basic lover. I guess there’s a bit of repetition there. But I hope I find something more than what’s on the page each time.”
Next week, Cooper moves from moustache-twirling cad to out-and-out bastard. In Devil’s Double he delivers two quite stunning performances as Uday Hussein, deranged son of the late Saddam, and Latif Yahia, the soldier who was forced to act as the heir apparent’s double.
The film offers a series of technical challenges. Not only does he have to play two characters – a murderous psychopath with a toddler’s giggle and an ordinary bloke propelled into an extraordinary universe – he has to play one playing the other.
It was a busy set. Far from having hours to shift character, Cooper was often asked to move from monster to man in an instant.
“There was no time,” he says. “I managed it because I had established exactly who they were. I had worked out the basic tricks of creating two very different physical types. The vocal tunings were different. Uday somehow occupies more of the room than Latif.”
Cooper was lucky enough to have the real Latif Yahia as a resource. Since fleeing Iraq – the film speculates that he may have tried to assassinate Uday Hussein – he has written a few books. Until recently, he lived quietly in this country with his Irish wife.
“It was daunting when I sat down with him,” Cooper explains. “I knew immediately not to pry too much. He has serious scarring and I had to be careful not to ask too much about that too soon. Who am I to start interrogating this guy?”
The film depicts Hussein kidnapping school girls, enjoying video tapes of torture sessions and murdering a henchman at a heart-stoppingly vulgar party. He also has a creepily close relationship with his mother. Did Cooper come to any conclusion as to what turned him into such a deranged personality?
“Was it nature or nurture?” he muses. “It was hard to find anything to cling on to with that character. It’s so far from anything I could understand. But you can’t help but think who his father was. You just think how difficult that sort of relationship can be at the best of times. His father really did seem all-powerful to him. By all accounts, Saddam thought Uday was idiotic.”
Cooper, now 33, was raised in southeast London, the son of a nursery-school teacher who separated from his father when Dominic was a boy. Later in life, his dad revealed he had a daughter by another woman while still living in the family home. It all sounds very EastEnders. But Cooper insists everybody behaved in a mature fashion.
“After that, I had a stepdad, and he was lovely and great,” he says. “No, it wasn’t like a broken home, because there was no real animosity. It was very easy and calm. Everybody saw one another and got on very well. Looking back, it was a bit eccentric. I don’t know how it worked. But it just did.”
Cooper’s older brother is a music-video producer who arranged work for his teenage brother as a runner on his sets. Later, Dominic moved into editing, and while at the London Academy of Music and Dramatic Arts he used this to support himself. “During the day I’d be pretending to be a dog, then at night I’d be digitising images and logging them into computers,” he says.
A good-looking guy with a crisp, clean voice and an ability to convey inner turmoil through the tiniest movement, Cooper has never been short of work. Soon after graduation, he secured a berth at the Royal National Theatre, where he appeared in the first production of Alan Bennett’s The History Boys. He later starred in the film version of that piece and remains pals with Bennett.
Coopermania stepped up a gear in 2008. He had, to that point, rarely been molested while buying his roll of Toffos and his pint of milk. But his turn alongside Keira Knightley in The Duchess brought him a greater degree of visibility. Then he starred in (honestly) the most successful British film of all time.
“I learned quite quickly that fame goes in waves,” he says. “If you are in a magazine, that week you are recognised. When it does happen it’s never aggressive. It’s very pleasant when someone refers to a play they’ve seen or the deep-rooted happiness that they got from Mamma Mia! ”
It’s hard to overestimate the impact of that mad, charming Abba musical. Everyone knew it would be a hit, but no sane person suggested it would take more than €400 million worldwide. Until Avatar came along, it was the most lucrative film ever at the combined UK and Irish box office, and it still holds the No 2 spot.
“It’s very touching. It’s very, very moving. I can’t believe the number of people who’ve come up and said: ‘We saw that at an important point in my late mother’s life, and that brought us all together.’ ”
Was he surprised to find himself in a musical? “I think so. I wasn’t sure what I was embarking on. I had never seen the show. That genre is not mine. I found it hard to cross the line of suddenly bursting into song. But, when I saw who else was in it, I thought, this could be either extraordinary or a disaster. I didn’t actually realise I could sing in that way. I’d always been in some sort of band, but those Abba songs are hard to sing.”
The success of Mamma Mia! coincided with a difficult time in Cooper’s personal life. He had been going out with Joanna Carolan, personal assistant to Harold Pinter, for 12 years. The relationship ended that year amid reports Cooper had begun dating Amanda Seyfried.
“We are still great friends,” he says of Carolan. “It’s an amazing experience going through a relationship that is longer than a lot of marriages. There was a sense of loss. I was so young when we got together: 16 or 17. But you realise that that person can still be a major part of your life. Work pulled me away. I just began travelling a lot, and that’s hard.”
One suspects Cooper is here to stay. Tabloids have tried to represent him as the new Colin Firth or the new Hugh Grant, but he has a sly energy all his own. Though he can play the romantic lead, there is a hint of menace about him that adds an edge to all his performances.
You can see that force at work in the current, surprisingly nifty superhero flick Captain America: The First Avenger . Playing Howard Stark, father to the future Iron Man, Cooper nods towards Howard Hughes with his portrayal of an eccentric engineering genius.
Later this year he will join a tasty cast – Michelle Williams as Marilyn Monroe, Kenneth Branagh as Laurence Olivier, Julia Ormond as Vivien Leigh – in Simon Curtis’s My Week with Marilyn . Cooper plays the esteemed photographer Milton H Greene.
What with all this travelling, he must have trouble maintaining a normal home life. Has he found time to buy a proper house? Is there butter in the fridge? “No, not at all. I bought a shoe box at the top of a tree in north London,” he says, laughing. “I have barely been home this year. There are so many things to do. I keep meaning to buy a bed, but I haven’t got round to it. There are just so many choices.”
He’s laughing at the trivial nature of his problems. Cooper seems to have his head screwed on. Earlier he was talking about the horrible pressures that assailed Latif Yahia.
“He was acting, and he knew that if he got it wrong he could be killed.”
Well, that puts his job in perspective. “Yeah, yeah. It certainly does.”
The Devil’s Double is on general release from Friday
On the double
No challenge excites actors more than playing against themselves. It stretches their technical gifts. It allows them to experiment with vocal timbres. Most importantly, it ensures they keep as much of the limelight as possible to themselves. The history of the double-up performance goes back a long way. In 1922, Rex Ingram, a Dublin-born film-maker, directed what was already the third version of Anthony Hope’s The Prisoner of Zenda . Lewis Stone played the English gentleman who gets to impersonate a Ruritanian prince.
Subsequent versions of that definitive lookalike story followed, with Ronald Colman, Stewart Granger and Peter Sellers all playing both roles. Comics quickly saw the comedy potential, and, in 1921, Buster Keaton played virtually every role in The Playhouse. But the masters of this class of comic multitasking were Laurel and Hardy. They each played dual roles on three occasions. In Twice Two (1931) each, somewhat creepily, also played the other man’s wife. In Brats (1930) they played their own children. And in the superb Our Relations (1936) they played sober domestic pals and their dimmer, more dissolute sailor brothers.
If you really fancied yourself, you could, like Keaton, attempt a whole busload of characters. Peter Sellers managed three in the magnificent Dr Strangelove (1964): a blimpish English officer, the ineffectual president and the titular, Machiavellian scientific adviser. That array seemed insignificant when set beside Kind Hearts and Coronets (1949), in which Alec Guinness gave us eight members of the foolish and doomed D’Ascoyne family.
Such versatility deserves an Oscar. Yet only two actors have ever managed it. No, not Jeremy Irons as the twins in David Cronenberg’s masterpiece Dead Ringers (1988). Nicolas Cage failed to take a statuette for his split personalities in Adaptation ( 2002). But Frederic March triumphed in 1931 for playing both Dr Jekyll and Mr Hyde in the best version of that story (then again, are they both the same man?). And Lee Marvin got a gong for best supporting actor for playing the drunken Kid Shelleen and the scary psychopath Silvernose in Cat Ballou (1965).
Mind you, the double-up performance can be as much a triumph for the special-effects boys as it is for the overworked actor. In The Social Network (2010), rather than hiring real twins to play Cameron and Tyler Winklevoss, David Fincher asked Armie Hammer to submit to the digital photocopier. The effect was dramatic, but it looked a little like showing off.
Never has it happened that such a well known and respected prosecutor in America has taken such a stance against a President. Having had three bestselling books and winning all his cases Vincent Bugliosi is now set to do his utmost to get George W. Bush to stand trial for the atrocities that he committed not only in Iraq but against his own countrymen and women. Support him and let us finally see some justice in this world and let us see America as a beacon of Democracy as we once did.

And it was the year of the unpredictable guest. From the media manipulator who stormed out of the studio before the interview was done, to the fashionista who confessed to wearing no knickers (I felt no need to demand further evidence).
Shivering guests
Of all the big stories in our HARDtalk year, perhaps the most frequently revisited was climate change, and what to do about it.
For two weeks in the summer I travelled round Greenland, mixing our usual challenging interviews with reportage from the field.
| As the ice melts people living in the Arctic Circle will need fewer huskies |
So it was that I found myself quizzing Australia's environment minister Penny Wong and India's climate envoy Shyam Saran high above Baffin Bay with icebergs for a backdrop.
In my four years on HARDtalk I've seen the occasional guest give an involuntary shiver of trepidation - but never before have I quizzed guests shivering with cold.
The debate itself was heated, even if the guest themselves were not.
The failure of the rich nations and the developing world to strike a comprehensive and binding agreement in Copenhagen was foreshadowed in this and several other HARDtalk interviews with key players in the climate debate.
And amid the political arguments Greenland gave me some unexpected insights into the impacts of global warming.
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Melting glaciers I'd expected, but what about the Greenlanders who are growing their own vegetables in the unprecedented summer warmth? And the clouds of voracious mosquitoes that can now be found deep inside the Arctic Circle?
I've been called a hard-bitten journalist more than once in my life - in western Greenland the description was all too accurate.
Hubris and greed
The struggling global economy was another staple on the HARDtalk menu throughout 2009.
Perhaps most memorable was my interview with Lawrence MacDonald, a former vice-president of the ill-fated Lehman's Brothers investment bank.
We wanted an evocative and moody location - and we found it in a subterranean bank vault with mighty steel doors underneath Wall Street itself.
Stephen's exchange with Noam Chomsky came in for some criticism
It used to house depositors' cash, now it is an exclusive gentleman's dining club for Wall Street's remaining gazillionaires.
Mr MacDonald told me the compelling story of a company overwhelmed by hubris and greed. And what is this contrite banker doing now? Running a boutique investment fund for high-worth investors, of course.
Wall Street may be chastened, but it is unclear what has really changed. After a highly charged and (I hope) entertaining exchange with Steve Forbes, the millionaire publisher and defender of liberal economics, I was presented with a small gift.
It was a silk tie embossed with Mr Forbes' favourite self-description: "The Capitalist Tool."
Empty chair
By way of extreme contrast my HARDtalk year also took me to eastern Congo - perhaps the most war ravaged region on the planet over recent years.
The most upsetting interviews of the assignment were with two teenage girls - children still - who courageously chose to tell me how they were systematically raped by Congolese gunmen.
They spoke out, they said, in order that the world would know what is still happening in their country.
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The UN has its biggest peacekeeping force stationed in DR Congo, but there is precious little peace to keep.
And the UN has found itself on the same side as some highly questionable characters - including the warlord "Bosco" Ntaganda, who is wanted for war crimes, but now serves as a commander in the Congolese government's armed forces.
We believed we had arranged an exclusive HARDtalk interview with General Bosco in his headquarters. We set up the cameras, prepared the microphones and waited.
And waited. Bosco never showed up. It was the first time HARDtalk aired an interview with an empty chair.
PR guru Max Clifford walked out when the questioning turned to Jade Goody
That was not the only spot of guest trouble we had in 2009. For the first time in my HARDtalk career I experienced a walk-out in the middle of an interview.
The guest in question was Max Clifford, Britain's foremost celebrity publicist and agent. One of his highest profile clients last year was Jade Goody, a woman made famous for her appearances on reality television.
Goody was diagnosed with terminal cancer and spent her last weeks in a blaze of Clifford-controlled publicity which earned her children a great deal of money.
When I asked Max Clifford about his involvement with Ms Goody he was clearly unhappy. When I asked a follow-up question he stormed off the set.
As we had only recorded one-third of a full HARDtalk interview this was a programme that could never be aired.
Needless to say it led to a major inquest in the HARDtalk office. Did I cross a line? Was I gratuitously offensive? I really do not think so, but it was a reminder that sometimes in HARDtalk we push guests closer to their limits than perhaps we realise.
Memorable image
HARDtalk sees encounters with presidents and prime ministers every year, but it is often the more unexpected interviews which prompt the biggest viewer response. And this year was no exception.
Vivienne Westwood described collecting a royal honour... wearing no knickers!
My exchange with Noam Chomsky about the Obama presidency and American foreign policy drew much comment - much of it highly critical of my "aggressive and arrogant" questioning of the 81-year-old professor.
Another huge response greeted the interview with Latif Yahia, the Iraqi man co-opted to be Uday Hussein's body double in the darkest days of the Saddam dictatorship.
How could such an experience leave Yahia defending Saddam and wishing his rule had never ended? Classic HARDtalk territory…
And finally I'll leave you with an image which has stayed with me since I interviewed the wonderfully idiosyncratic British fashion designer Vivienne Westwood last year.
She confessed to me that when she went to Buckingham Palace to receive an honour from the Queen she had neglected to put on any knickers.
She only remembered when she was surrounded by photographers when the ceremony was over. "I couldn't understand why they were taking their pictures from such a low angle," she told me.
And then she remembered. And now so will I.

Saturday, 3 March 2007 7:31am UK
Latif Yahia is the kind of man who attracts plenty of curious
glances wherever he goes, writes Sky News reporter Enda Brady.
"Immaculately groomed and well spoken, he could be
a businessman heading to a conference at the Dublin
hotel where we meet.
But his incredible likeness to Saddam Hussein's sadistic son
Uday means he will always get attention.
Yahia went to the same Baghdad school as the dictator's son and
was regularly teased because he bore such a strong facial similarity to Uday.
Years later he was summoned to meet the Iraqi President and
informed that a great honour was to be bestowed upon him,
he was to become Uday's double - whether he liked it or not.
To make his appearance faultless, he claims Saddam forced him to undergo plastic surgery and then have coaching in how to imitate Uday.
If he didn't agree to it, his family would be harmed.
Yahia went on to spend four and a half years living a bizarre life of luxury, interspersed with assassination attempts by Shiite militia and occasional beatings from Uday.
He fled Iraq in 1991 after the first US-led invasion, made his way to Kurdistan and eventually ended up in Austria. For the past decade he has lived in Ireland where he has an Irish partner and three Irish-born children.
"I just want to live a peaceful life and put the past behind me, but the Irish government won't grant me citizenship," Yahia told Sky News.
"When I saw Uday and Qusay (Saddam's other son) dead on the TV news in 2003 I smashed the screen I was so angry, they had cheated justice. I wanted them to pay for all they had done. Now I'm paying a price too."
Yahia has now written a book about his experiences and while it may read like a best-selling work of fiction, he inisists it is all true.

Lee Tamahori arrived in Hollywood having helmed "Once Were Warriors"

Al-qaeda was a double edged sword for the American administration, it firstly drew out any anti-American activists by giving them a sense of belonging, belonging to a group or cell of like minded people, people controlled by the administration, it also gave the administration the freedom to raise the fear levels in the population to fever pitch so that their war machine could to go to work, for if America cannot sell it’s arms, the major corporations cease to exist and therefore so does The United States itself.
In the run up to the next Presidential Election we see Presidential hopefuls vie for the chance to represent their parties, but what we don’t see or sometimes don’t understand is that no matter what candidate actually makes it to the Whitehouse the foreign policy will never change radically, the Faces change but the policies stay the same.
America has been at war with one country or another for 52 years, when it enters a country it never fully leaves, it always keeps a foothold.
1945-1946 China
1950-1953 Korea/China
1954- Guatemala
1958 Indonesia
1959-1961 Cuba
1960 Guatemala
1964 Congo
1965 Peru
1964-1973 Laos
1961-1973 Vietnam
1969-1970 Cambodia
1967-1969 Guatemala
1983 Grenada
1983-1994 Lebanon
1980s El Salvador
1980s Nicaragua
1986 Libya
1987 Iran
1989 Panama
1991 Iraq
1993 Somalia
1998 Sudan
1998 Afghanistan
1999 Yugoslavia
2001-? Afghanistan
2003-? Iraq
It may be argued that as the last remaining superpower America has the responsibility to intervene in situations that occur in the world or help when asked by Sovereign Nations, but what we have seen in the recent past is that the American Administration has ignored the UN and done it’s own thing, what is there to stop the American administration from doing anything that it chooses? Who can stand up to them?
In recent times the world has come to know the horror that is extraordinary rendition, we have learned about covert CIA prisons around the world, for me it was old news, in 1994 when I had fled from Iraq and was living in Austria, I was approached by the CIA, they wanted me to work for them to spy on my fellow countrymen, I was against the Iraqi regime but I had no intention of putting my fellow Iraqis in any more harm than they were already in. I refused to work for them and found myself in a six foot by five foot cell in solitary confinement in a Covert CIA prison in Austria a democratic country or supposedly so. Ten and a half months I spent in that cell with no contact from the outside world, I was badly tortured not for information but because I wouldn’t succumb, eventually I was released, it was a break in the chain of command, a new prison officer had been put on my floor but had not been given the instruction that no-one was to know that I was there, he inadvertently let a visiting Judge into my cell and my release was sealed then and there, the Judge could find no record of me, my supposed crime or length of detainment and on foot of this he ordered my release immediately. He was so concerned that I leave the prison that he brought me to Vienna himself in search of my family.
When my two books “I was Saddam’s Son” and “The Devil’s Double” were released they were used as propaganda for the American administration, I had written them to make the world aware of the situation in Iraq, not to be used as an excuse to invade, occupy and make life even tougher than it had already been for the Iraqis, you may argue that Iraq now has a democratically elected government, but at what human cost 1.4 million Iraqis have died,5 million are displaced inside and outside Iraq something that never happened during Saddam Hussein’s 35 year dictatorship , five years along Iraqis still have no proper sanitation, electricity is sporadic and unemployment is high, the New government lives in “The Green zone” and is terrified to leave it for fear of asasination attempts, billions of dollars have been stolen by former Ministers in the Interim government and Iraqi gangs. Kidnapping and extortion is the new commerce, daily, civilians are killed by roadside/suicide bombs and militias rule the streets, Whole areas are walled in with special identity cards maybe they should be made to wear yellow crescents?
Will the American army ever leave Iraq? well 50+ years after WW II they still haven’t fully left Germany or Japan.
To prepare for the future we must learn from the past, so why is it we keep repeating it?
In November 2006 I released my last book “The Black Hole” it recounted my experiences in Europe since fleeing Iraq, most people think that since I left Iraq my life has been a bed of Roses,I have several European citizenships under my belt and I am a multi-millionaire. If it were so I would indeed be a happy man, but unfortunately it is not. Having lived in Europe for the past 17 years 11 of which I have spent in Ireland, I am still stateless, the CIA have made many promises to me, namely that if I do not co-operate I will spend the rest of my life without a country, they have kept this promise. I am happily married to an Irish woman we have Irish children and I am on my third application for Naturalization as an Irish citizen. I am not a multi-millionaire and my royalties from “The Black Hole” go to charity, unfortunately the charity is not doing as well as it could because my book has been banned in Ireland and America, you will not find it in any bookshop, fortunately for me there are virtual bookshops like Amazon or my publisher’s website www.arcanum-publishing.com where it is available.
Is it not surprising to you that this book should be blacked out in this way, if I had continued to write against Iraq or Saddam I guarantee it would be in every major bookshop on the bestseller shelf like the first two, but because it goes against the “agenda” and talks openly about my experiences in Democratic European countries with the CIA and how they have and still are affecting my life, it is on the banned list.
I do not write about myself because I feel important or that I am some sort of celebrity, I write about my life because the world needs to know what can happen to an ordinary person in an extraordinary situation.
In recent times I have had emails, websites, blogs, youtube etc all closed and deleted without warning or explanation, I had nothing of a terrorist or violent nature on these sites and yet someone somewhere saw fit to shut me down, how is it that Al-Qaeda can have it’s own website showing people being beheaded, murdered etc and not be shut down if it is not affiliated to some power or government, how is it that we hear nothing from Bin Laden until the day before an election or some poll/bill that GW Bush needs to win and lo and Behold there he is threatening this that or the other, I put it to you that Bin Laden doesn’t live in some cave in the Tora Bora mountains he lives two doors down on Pennsylvania Ave so his buddy GW can get him to the studios everytime his ratings plummet.
On the day that G W Bush once again refused to sign into policy that the CIA cannot use torture as a method of information gathering, I say to you that that is all they know. In my life I have met many Intelligence agencies and in my opinion the CIA are the most inexperienced and unintelligent of them all.
Best regards to you all and work for Peace!
Latif Yahia.
Michael Theodoulou, Foreign Correspondent